We first met serial killer Cletus Kasady (Woody Harrelson) in the mid-credit scene of 2018's Venom, but he steps into the spotlight for the sequel, Venom: Let There Be Carnage (released on Blu-Ray in the UK this week).
The imprisoned killer, now shorn of his fright wig hairdo from Venom, has a fascination with washed-up journalist Eddie Brock (Tom Hardy), little realising that Brock is host to the alien symbiote known as Venom.
However, Venom manages to unearth a clue in Kasady's cell that leads to the buried remains of many of his victims.
When Brock pays a final visit to Kasady in San Quentin, the killer manages to take a bite out of him... accidentally ingesting part of the alien symbiote.
Kasady's execution by lethal injection then stimulates the creature in his blood, transforming him into the brutal, tentacled monstrosity Carnage.
They break out of the prison in a grand set-piece of mass destruction and murder, and set about tracking down Kasady's childhood sweetheart, Frances, as part of a deal that would see them ultimately killing Carnage's "father", Venom.
Frances Barrison (Naomie Harris) is a mutant codenamed Shriek, with powerful sonic abilities, who is being held in a secret research facility, but Kasady makes short work of its defences and the couple slip away into the night.
However, the seeds of romantic disharmony are sown quite early on as symbiotes are extremely vulnerable to loud noises and so Carnage isn't at all impressed by his host's paramour.
Frances and Kasady immediately plan a wedding, which involves kidnapping police detective Mulligan (Stephen Graham), who cost Frances her eye during an earlier escape attempt, Eddie, and Venom.
To get to Eddie, the bad guys grab his former fiancée, Anne Weyling (Michelle Williams), who is now engaged to Dr Dan Lewis (Reid Scott).
Directed by Andy Serkis, from a script by Kelly Marcel and Tom Hardy, Venom: Let There Be Carnage tries to temper the potentially brutal reality of a character like Kasady bonding with an almost omnipotent creature like Carnage with a tsunami of screwball comedy antics and bizarre attempts at black humour.
In all honesty, it shouldn't work... but somehow it does, thanks in no small part of the hard-boiled charisma of Tom Hardy.
There are echoes of Woody Harrelson's earlier performance in the divisive Natural Born Killers in the romance between Kletus and Frances, but these characters, drawn with broad, pulpy, brushstrokes are nowhere near as well-developed as Mickey and Mallory Knox.
Upon first viewing the original Venom movie was a disaster, and yet there was something about it that drew me back to it on its home video release and I've not only found myself enjoying it more on repeat viewings, but have been drawn into the world of Venom in Marvel Comics as well.
This is something I never thought would happen, as the whole idea of a murderous anti-hero really turned me off the character.
But thanks to Tom Hardy's performance in that first movie and then Donny Cates's phenomenal run on the comics in recent years has really won be round to both the character and its potential... in the right hands.
An overview of the plot makes you realise that Venom: Let There Be Carnage is actually a surprisingly small, and contained, film with the antagonists only being free to sow chaos in the wider world for, seemingly, less than 24 hours.
There is no great hunt for Carnage and Shriek, as they tell Eddie where to find them soon after they've torched the abandoned reform school they were both held in as juvenile delinquents.
The grand finale in the cathedral where Kasady and Frances are getting married, is reminiscent of many similarly-staged climactic confrontations, from the Quatermass Experiment to 2003's Daredevil, but this has the added cachet of battling Lovecraftian abominations... and a surprise cameo by the League of Gentleman's Reece Shearsmith.
Talking of cameos, though, the biggest 'shock' and dollop of fanservice comes - once again - in the mid-credit scene, which sets up Venom's potential appearances going forward with a most exciting development.
This 'squee' moment is almost worth the price of admission alone.
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