
Although The Green Knight has been available to stream on Prime Video for ages now, it wasn't until I came across the Blu-Ray in an Amazon sale the other day that I finally decided it was time to clear 130 minutes in my schedule and sit down to watch this Arthurian epic.
It's Christmas in the court of King Arthur and aspiring knight Gawain (the perfectly cast Dev Patel) is seated beside the king, his uncle, when the mysterious emerald-skinned Green Knight (Ralph Ineson) rides in and issues an honour challenge.
He will allow someone to strike him, but then the following Christmas they must seek him out in The Green Chapel and he will repay the blow in the kind.
Gawain, with the loan of King Arthur's sword (is it Excalibur?), beheads the Green Knight, but then the supernatural entity picks up his head and rides off.
Eventually, time passes and the aged Arthur (a brilliant turn from Sean Harris) tells Gawain he really should go and find The Green Knight.
Thus begins Gawain's odyssey across the misty realm of Ancient Britain, searching for The Green Chapel where the unearthly knight will be found.
A hypnotic, often unsettling, blend of gritty Medieval verisimilitude and mythological magic realism, odd things happen throughout A24's The Green Knight and are just accepted as par for the course.
On his journey Gawain helps a ghost, meets a talking fox, mystical tokens are lost and found, and our hero is nearly flattened by hauntingly ethereal giants (who look like they've stepped out of the classic 1973 French animated movie Fantastic Planet).
As far as I can figure - and it feels as though you are diving into a dense text as you try to follow along on a first viewing - the story is primarily concerned about upholding a chivalric code of honour, a parable about being true to your word.
For some bizarre reason, although I've heard the tale of Sir Gawain and The Green Knight several times, I can never remember how it pans out, but the dialogue-free extended epilogue of writer/director David Lowery's adaptation of the original 14th Century text is sublime.
Although prone to occasional atmospheric mumbled dialogue and minimalistic, naturalistic, lighting that makes some scenes as dark as The Long Night, there's a lyrical quality to the narrative of Lowery's The Green Knight that buoys you along.
While not the traditional swords-and-sorcery, knights-and-armour type of film that I enjoy, it certainly doesn't feel like an arduous two hours if you allow yourself to sink into the world David Lowery has conjured up for us.
It's not necessary to know the names of all the characters and their backstories (in fact, if you check IMDB very few of the characters even have names), because The Green Knight isn't that sort of story, rather it's a period piece told using modern technology but as it would have been recounted "back in the day".
We don't need to know where the giants came from or how the fox spoke, because these were aspects of Medieval storytelling that were just accepted in stories told around the campfire.
That said, on a more academic scale, I strongly suspect that with a bit more reading around - and research into - the subject matter of The Green Knight, more will be gleaned from this great movie upon subsequent viewings.
It's Christmas in the court of King Arthur and aspiring knight Gawain (the perfectly cast Dev Patel) is seated beside the king, his uncle, when the mysterious emerald-skinned Green Knight (Ralph Ineson) rides in and issues an honour challenge.
He will allow someone to strike him, but then the following Christmas they must seek him out in The Green Chapel and he will repay the blow in the kind.
Gawain, with the loan of King Arthur's sword (is it Excalibur?), beheads the Green Knight, but then the supernatural entity picks up his head and rides off.
Eventually, time passes and the aged Arthur (a brilliant turn from Sean Harris) tells Gawain he really should go and find The Green Knight.
Thus begins Gawain's odyssey across the misty realm of Ancient Britain, searching for The Green Chapel where the unearthly knight will be found.
A hypnotic, often unsettling, blend of gritty Medieval verisimilitude and mythological magic realism, odd things happen throughout A24's The Green Knight and are just accepted as par for the course.
On his journey Gawain helps a ghost, meets a talking fox, mystical tokens are lost and found, and our hero is nearly flattened by hauntingly ethereal giants (who look like they've stepped out of the classic 1973 French animated movie Fantastic Planet).
As far as I can figure - and it feels as though you are diving into a dense text as you try to follow along on a first viewing - the story is primarily concerned about upholding a chivalric code of honour, a parable about being true to your word.
For some bizarre reason, although I've heard the tale of Sir Gawain and The Green Knight several times, I can never remember how it pans out, but the dialogue-free extended epilogue of writer/director David Lowery's adaptation of the original 14th Century text is sublime.
Although prone to occasional atmospheric mumbled dialogue and minimalistic, naturalistic, lighting that makes some scenes as dark as The Long Night, there's a lyrical quality to the narrative of Lowery's The Green Knight that buoys you along.
While not the traditional swords-and-sorcery, knights-and-armour type of film that I enjoy, it certainly doesn't feel like an arduous two hours if you allow yourself to sink into the world David Lowery has conjured up for us.
It's not necessary to know the names of all the characters and their backstories (in fact, if you check IMDB very few of the characters even have names), because The Green Knight isn't that sort of story, rather it's a period piece told using modern technology but as it would have been recounted "back in the day".
We don't need to know where the giants came from or how the fox spoke, because these were aspects of Medieval storytelling that were just accepted in stories told around the campfire.
That said, on a more academic scale, I strongly suspect that with a bit more reading around - and research into - the subject matter of The Green Knight, more will be gleaned from this great movie upon subsequent viewings.
No comments:
Post a Comment
Thank you for your interest in HeroPress.
Comment moderation is currently on again because of annoying spammers!
My apologies to genuine commentators for the inconvenience.
As ever I shall endeavour to acknowledge, and respond to, your comments ASAP.
However, if you're just looking to post spam, please don't bother. It's neither big nor clever. And will just be deleted.